fernad l'eger

he was one of the original cubists, born 1881. his mature paintings was concentrated on the human figure. at this point in time Paris was seen as the focus point, where any artist would want to visit or relocate to to push his own goals and boundaries as he see's art. there was numerous art styles at this time such as fauvism, post impressionism and art nouveau. there was many famous artists working at this time, such as Henri Matisse and Pablo Picasso, who would effect the entire history of modern art. Leger, born 1881, moved to Paris in 1900's where he worked as an architectural draftsman. during this point in time he was influenced by Henri Matisse and Paul Cezanne, and became good friends with the artist Henri Rousseau. 1906 he devoted himself to painting, and in 1910 slowly his art style changed to cubism. Leger's early works reflects most of the basic outcomes of cubist art work. flattening the 3D object so you see all sides of the object from one angle, bringing every possible angle to the front.

jean metzinger

born in Nantes, 1883, and also where he spent his entire youth. he enjoyed a thorough education and attended painting classes taught by the artist Hypollite Touront, a well known portrait painter of his time. Metzinger was interested in the current changes in painting and loved the neo-impressionist look, the abandonment of shading and mixing colors. he continued to use Neo-impressionism but managed to develop a mosaic like color in his painting. 1905-1908 was hes first artist peak where he was noticed for his impressive artwork.

this is an example of neo-impressionism. Metzingers works in 1909 was finally heading towards analytical cubism but was rejected by the critics. 1920's was his most successful years. 

juan gris

Gris, born in Spain, 1887, studied art alongside the artist Jos'e maria Carbonero. in 1906 he moved to Paris and became friends with Georges Braque, Henri Matisse, Fernand Leger, and in 1915 was painted by hes friend Amedeo Modigliani.

in Paris he followed another friend and fellow artist, Pablo Picasso. his portrait of Pablo Picasso in 1912 was a significant early cubist painting done by a painter other than Picasso and Braques. although he submitted humorous illustrations to journals, Gris began to paint properly in 1910. by 1912 he developed a personal unique cubist style. at first painted in the analytical cubist style but in 1915, began hes conversion to synthetic cubism. unlike Picasso and Braques whose work was unnaturally alike, Gris liked to use bright colors. major Gris exhibitions were held in the gallery Simone in Paris. although he regarded Picasso as a teacher, Gertrude Stein said that Gris, "was the one person Picasso would willingly wipe of the map".

georges braque

he was the founder of cubist art as well as Pablo Picasso, his first cubist art named 'nude' in 1907. both his farther and grandfather was talented artists, so was practically born into the art way of thinking. he went to hes local Ecol Des Beaux art school but failed hes exams, leaving hes parents to train him as a local painter decorator. in Paris Braque gained a craftsmanship diploma and through a relationship with Raoul Duffy and Othon Friesz became involved in the fauvist movement.
fauvism was the first major modern art movement of the 1900's. this movement had a short life but influenced many artists. also had a strong impact on German expressionism. Henri Matisse was the founder of fauvism. other artists included was Andre Derain, Raoul Duffy, Maurice De Vlaminck and Georges Rouault. this group of french artists called themselves the Fauves, English translates to wild beasts. the Fauves did not express political statements, ethical opinions, philosophical or psychological ideas in there paintings, instead they painted subjects which expressed feelings of pleasure, joy and comfort. the Fauves favored intense colors and rough brush strokes. they never painted objects in there natural colors, e.g wouldn't paint grass as green, they would use the colors such as purple, red or yellow.

cubist manifesto

cubism received its name from the harsh critics, when it was published in its first art exhibition in Paris 1910. the originators of cubist art was Pablo Picasso and Georges Braque which was introduced by Guillaume Apollinaire and spokesman of cubist art. they were shortly joined by Juan Gris, jean Metzinger, Fernand Leger, Albert Gleizes and Sonia Dalaunay. in Picasso's terms, cubism was a vague desire on the part of those who participated in it to regain some kind of order. cubists were trying to move in the opposite direction to impressionism. that was the reason for cubists abandoning color, emotion, sensations and everything that had been introduced by impressionists. the very first piece of cubist art to display this was Picasso's Les Demoiselles D'avignon.

Braques first cubist work was influenced by this piece and is named "standing nude"

cubism originally used landscapes. these pieces of art started in 1908 when Pablo Picasso and Georges Braque moved out of Paris to the countryside. cubism was clearly not intended to be abstract art but to be a form of art that's well thought about and no accident, thinking outside the box, giving the viewer how 3D objects look flat as an open plan. cubism was influenced by Cezannes oil painted landscapes e.g la Montagne Sainte Victorie

was also influenced by Gauguin's landscapes such as haymaking

 

African tribe art also influenced the works of cubist art such as the Gabon masks. African sculptures with their bold shapes and lines had a great impact on cubist art. African art exhibitions was common in Paris and European cities in the 1920's. most of the artists i have mentioned in my blog was keen collectors of African Gabon masks. the horrific expressions and simplistic design of the masks inspired Picasso.

 

there are three techniques within cubist art, these is analytical cubism, synthetic cubism and cubist sculpture. each of these styles was used to represent their views on landscapes, still life and portraits.

analytical cubism was expressed using restricted colors and subject matter, making the art work seam shallow. Picasso viewed objects as a number of planes, seeing the object from all viewpoints which in doing so broke down the objects into its basic shapes. both artists together created a new perspective viewpoint.

 

synthetic cubism 1912 onwards experimented with collages, sticking pieces down e.g newspapers and match boxes etc on to canvas and combining them with drawing and paint. this was seen in Picasso's 'still life with chair caning'

 

it also used the technique invented by Georges Braque named Papier Colle which involved sticking down plain or patterned paper onto the painting to be painted as if they wasn't there. synthetic cubism developed  the new unexpected ideas through the media of collage and Papier Colle. they were able to express there  constructive elements through getting control of colors and texture, reducing real objects to lines and planes.

cubist sculpture bought the simplified shapes from cubist paintings together with the three dimensional modeling sculpture. the first cubist sculpture was designed by Picasso in 1909 'head of a woman'

as i mentioned previously in the blog, Picasso was influenced by African masks. cubist sculptures was recognized as analytical cubism in its stripping away of the illusionist detail revealing its sophisticated form contained in each individual object, it been human or still life. Picasso also used synthetic cubism in hes sculptures e.g the art style 'found objects'